This technique is tricky not only due to tonal issues, but also in terms of wear and tear. This is in contrast to a dynamic mic which works using a moving coil connected to a diaphragm. Plus, it’s active too, which is not a very common feature with ribbon mics, especially vintage ones. Typically, I would high-pass these at 150 Hz, and do nothing else. We used the N8 s as rear and front room mics for the kit. This enabled me to capture Charlie's intense dynamic and articulate badassery like I would have at home. Sonically, these mics made a huge difference in everyone's in-ear mixes, and they greatly improved the recordings that were made at festivals and TV appearances. They sound great no matter what the instrument. I've been extremely fortunate because most all of these have turned into long-lasting friendships. Something about the sheer joy of hearing top-shelf ribbon mics all day, combined with the humility of having a dude 30 years my senior take off like a demon and nearly lose me in my own city on a bicycle, really made an impression! I have two other ribbon mics, and have to say this is the cream of the crop. 2 customer reviews Questions about the AEA N8 Ribbon Microphone? So I was off on tour with a huge improvement to my mic package. Welche Kauffaktoren es bei dem Kauf Ihres Aea n8 ribbon zu bewerten gilt. Both sport the world- class AEA craftsmanship and are insanely durable, as proven on tour. Charlie Davis. It gives me plenty of output, so it works great with any preamp. AEA N8 Ribbon Microphone Features: ... Based on 2 reviews. AEA describes this mic as being very open, natural sounding and with a lot of detail. The Neumann U 67 is one of my favorite mics of all time; I use it on nearly every tracking date that I do, on a variety of instruments, including electric and acoustic guitars, as well as vocals. Both the N8 and N22 pairs lived in an overstuffed Pelican case, with all the other mics and claws, protected only by the Shure pouches I stuffed them in, during months of travel around the world. We used the N8s as rear and front room mics for the kit. The image captured was staggeringly accurate. Reviews; AEA Nuvo N8. Remember, opening your AEA voids the warranty and we wouldn't recommend it anyways because ribbon mics in general are quite sensitive. AEA have designed a pretty cool shock mount which attaches to the N8 to help keep down any unwanted noise in the off chance of movement. They went through a Rascal Audio Two-V preamp and into a Chiswick Reach 20th Anniversary Edition compressor. Things can get hairy when you double the drums, so we went for a totally different sound. When we made the switch to the N8s, we also swapped to N22s on two of Adam Granduciel's five amps. He's the owner of Audio Upgrades,... Vintage King co-founder Michael Nehra shares some of his love, knowledge, and practical advice for diving into the world of vintage audio gear, and then takes us behind the scenes for a walk through... Bill Cheney and Jim Romney are the men responsible for keeping the amazing legacy of Spectra Sonics, a legendary, if criminally unheralded, pro-audio company alive. During soundcheck, I would line-check through his channels and then mute everything but the N8s, and use those as the core of my drum sound, peppering in the other channels as needed. About half of these times were pre- N8. Again, this is one of those difficult sources for me, but we got great results with minimal stress. by Consordini Staff Last Updated October 24, 2019. I don't think I've ever started a mic review by introducing the accessories first. I'll get to this in a later review, but this is a great compressor in the "is this thing on?" Dismissed by most as obsolete technology only a couple of decades ago, the humble ribbon microphone has seen a miraculous resurgence in popularity in recent years. That day, I acquired my third AEA mic, the R88 Mk2 stereo ribbon, and a relationship was born. A three-mic drum session happened off the cuff here for an auxiliary drum overdub. We’re going to be checking out a stereo pair. These microphones are super fast for transients, but really warm. Ribbon mics are usually more expensive than many dynamic mics and require more care when using and transporting. Upright is always tough for me. Both of them got the same devious look on their faces, and Wes said, "Take them!" The N8 is the mono version of the AEA R88 stereo microphone with active electronics. Aea n8 ribbon - Die besten Aea n8 ribbon ausführlich verglichen! It added this beautiful movement to the transient response that really made the drums shine on these tracks. Well, inside a ribbon mic you quite literally have a strip of ribbon metal, usually aluminum, which works with the magnetic field to produce an alternating current or signal. The sound was absurdly sick with the Chiswick Reach on. Overall this mic is a little darker than expected yet still performs well. A few years later, Wes and AEA wunderkind Sammy Rothman stopped by, fairly unannounced, and dropped off a pair each of their Nuvo series ribbons — the N8 and the N22. Yes, it captures well, but does it sound very different from a typical ribbon mic? The mics share identical electronics, but the difference in voicing, and thus placement, is achieved acoustically inside the mics, making for two tonally similar mics for two different applications. AEA continue their quest to modernise the ribbon mic, with this worthy addition to their new Nuvo range. upgrade from your standard ribbon mic. AEA is a really well-known high-end manufacturer of ribbon mics. There were times where I was sure she was in the control room rehearsing when I was making coffee in the next room. The AEA N8 is great to work with and produces quality sound. I told them I was leaving for tour the next day, so I wouldn't be able to use them right away. The N8 is also full range, so I don't have to pair it with another mic to capture something well.